翻訳と辞書
Words near each other
・ Without Seeing the Dawn
・ Without Sinking
・ Without Skin or Breathlessness
・ Witherstench
・ Witherup Bridge
・ Witherwack
・ Withgott effect
・ Withholding Pattern
・ Withholding tax
・ Withiel
・ Withielgoose
・ Within
・ Within (Alyssa album)
・ Within (Embraced album)
・ Within (The X-Files)
Within a Mile of Home
・ Within a Song
・ Within and Without
・ Within and Without (album)
・ Within Deep Dark Chambers
・ Within Dividia
・ Within Every Woman
・ Within Her Arms
・ Within Me
・ Within My Walls
・ Within Our Gates
・ Within Our Gates (1915 film)
・ Within Reason
・ Within Temptation
・ Within Temptation discography


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Within a Mile of Home : ウィキペディア英語版
Within a Mile of Home


|rev2 = PopMatters
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|rev3 = Punknews.org
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''Within a Mile of Home'' is the third studio album by the Irish-American punk band Flogging Molly. Released in 2004, this album reached #20 on the U.S. Billboard Top 200 Chart and #1 on the Independent Music chart. The album is dedicated to Joe Strummer and Johnny Cash, as indicated in the album's liner notes.
==Reception==
In their review, Allmusic noted Flogging Molly's "more mature, more polished" sound on this album and its stylistic variations. They pointed to the Cajun-influenced accordions on "Tomorrow Comes a Day Too Soon," the a Capella performance on "The Wrong Company" and guest Lucinda Williams' guest appearance on "Factory Girls" as evidence of this. The reviewer also appreciated the album's varied themes which include modern-day U.S. policy concerns ("Screaming at the Wailing Wall") and Oliver Cromwell shipping Irish workers to Barbados during the 17th century ("Tobacco Island"). In another positive review, Punknews.org said that Flogging Molly "have a mastery of the traditional sound, and their harder and faster songs are definitely a lot of fun." The reviewer for PopMatters had high praise for the album. The review referred to the opening track "Screaming at the Wailing Wall" as a "toe-tapping, arm-in-arm Celtic boogie tune" and the following song "The Seven Deadly Sins" as a "kitchen-party Celtic assault." The review also noted that the song “To Youth (My Sweet Roisin Dubh)” sounds like a "Dublin-ized Mike Ness of Social Distortion" and that “The Wanderlust” as a combination of The Clash and The Pogues.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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